For the 2019 edition of the Shenzhen Hong Kong Bi-City Biennale of Urbanism/Architecture (UABB), Handshake 302 installed Electronic Lifestyles at the Futian Station Main Venue. To situate the installation with respect to Shenzhen’s cultural geography, I wrote From Bamboo Curtain to the Silicon Valley of Hardware, which was published at as part of e-flux architecture‘s Software as Infrastructure project.
From the essay:
Located on the “bamboo curtain” at the Sino-British border, Shenzhen’s spatial liminality facilitated national political and economic restructuring, which ultimately had international effects. In the ordinary order of things, liminal spaces have recognizable thresholds and boundaries; one crosses from one side to the next. Most liminal spaces are located at the edges of mainstream society. In contrast, the geopolitical logic of Shenzhen has been to place liminal spaces at the center of society, making perpetual transformation—of the self, the nation, and the world—a key feature of the model. The transformation of Luohu-Shangbu from a riparian society into the earliest iteration of the Shenzhen Special Economic Zone (SEZ) can give a sense of how liminality was deployed to as metaphor and strategy. Today, the Luohu area is known as Dongmen, a bustling cross-border shopping district, and Shangbu is known as Huaqiangbei, the world’s “Silicon Valley of Hardware.”
Curious? Please give it a read.
The following post was first published on Pandemic Discourses, a blog curated by the India China Institute at the New School. The goal of the blog is to bring differently situated perspectives on the COVID-19 pandemic into conversation with each other. The purpose of my post was to provide impressions of the first six months of the pandemic and responses in Shenzhen.
It’s been roughly six months since Shenzhen introduced measures to control the spread of COVID-19. Statistics from the Shenzhen Health Commission 卫健委 show that the highest number of cases occurred at the end of January and early February. There was a second wave that coincided with the return of residents after the Chinese New Year’s holiday. Indeed, the city has emphasized the difference between “locally transmitted” and “imported” cases. As of July 19, 2020, the city had a confirmed total of 462 cases, while the most recent case was reported on April 28, 2020. Continue reading
I went out this morning to buy fresh bread (still warm!) at my favorite bakery. The stairwell in our building is not only spotless, but also smells of disinfectant. In the compound, our resident Party Center (党群中心) had an announcement about sanitation safety on loop. One of the security guards took my temperature as I left and as I returned.
Things that I’ve heard from friends in other parts of the city: streets are empty, but in Baishizhou, more storefronts have been cordoned off; the country may be on lockdown, but it is partial. Urban renewal proceeds. Also, students have been sent reading materials and some have already begun online classes.
Something I’ve heard from a friend whose hometown is near Wuhan: everyone must stay indoors. One person per household can leave once every five days to purchase food and necessities.
Although we are beginning to receive word that return (from cities north of Wuhan on the Beijing-Guangzhou-Shenzhen-Hong Kong) have been cancelled, nevertheless yesterday, the CPC Central Committee of Shenzhen announced that the city was not being locked down. Instead, these posts emphasized the measures that the city was taken to maintain the public’s health. Measures include mandating wearing breathing masks in public spaces and having your temperature taken when entering buildings and crossing borders in and out of the city. Nevertheless, the buses and subway are still running, supermarkets are still open, and as I write I can hear garbage being collected and processed. Continue reading
Yesterday I walked Baishizhou, remembering the bustle of our rushed departure. Bikes and motorbikes, cars and moving vans clogged the hot streets, and we squeezed through and around pedestrians on their way home or to work or to shop or out for a snack. Yesterday, even the once crowded food alley has been mostly abandoned; a few shops are still open at the intersections between the alley and main roads, but the overwhelming feeling is one of departure and a viscous waiting.
So, I wrote Heart of Shenzhen: The Movement to Preserve ‘Ancient’ Hubei Village. It was published in The New Companion to Urban Design, an (embarrassingly expensive) anthology, edited by Anastasia Loukaitou-Sideris & Tridib Banerjee. The paper tracks the rise of public intellectuals in Shenzhen as well as growing identification with the city’s cultural geographies.
So, it’s been a while since I’ve written. There are reasons and non reasons for my digital silence, but one of the more relevant to my life as a blogger has been Handshake’s move from Baishizhou to Xiasha. Even as the evictions in Baishizhou proceed, we have started a new project “Marquee (走马灯),” which explores the relationship between technology and daily life. We are curious about your first mobile phone experience, your favorite wearable device, and the products that embarrass you. Continue reading
Proud to have been selected by Shenzhen Economic Daily as one of Shenzhen’s 2018 Ten Most Influential Creatives. The award was announced on May 19 at the Cultural Industries Fair as part of the city’s ongoing efforts to promote and cultivate creativity. And yes, this award is the result of ongoing collaboration with Handshake 302.
I visit urban villages because they allow space for eccentricity, for unexpected juxtapositions that suggest the contours of history. And yes, these spaces are not simple agrarian settlements, but sites where wealth has accumulated for several hundred years, where ideas about what that history might mean have taken alternative forms. Continue reading
Yesterday evening, December 29, 2017, I had the pleasure of listening to Agency (Ersela Kripa and Stephen Mueller) speak on the results of their Shenzhen residency. They walked accessible edges to produce drawings and embroidery patterns of data, the embroidery algorithms derived from the difference between reported and their on-the-ground measurements of air particulates. The talk was inspiring, not least for “Roller Blade Boy” who skated circles around us, pausing only to check out the data. Continue reading