The two-day event was called “Only Connect.” We emphasized the infrastructure that makes neighborhoods out of houses and buildings. Yes, every building had an electrical light, water tubes, sewage tubes and access to the main road. And yes It’s also true, every time that Handshake 302 holds an event at the P+V Gallery, the kids rock our world. Take a look at the smiles that creativity brings! More about Handshake 302 here and here.
Check out what happens when Handshake 302 curates an exhibition that brings community together through history and art. A brief introduction to the “Migrations: Home and Elsewhere” exhibition that was up at the Longheu P+V Gallery from Dec. 22, 2017 through Feb. 4, 2018. More videos on our FB page; written documentation of our practice here.
People agree that art is important to cultivating a creative society, however, there is less agreement about how art enhances creativity. At Handshake 302, we believe that art praxis does not emphasize making something new, but rather emphasizes using materials already at hand in new ways. This is a slight but important difference. We are interested in the creative process more than we are interested in creative products. In fact, artists are simultaneously curious and pragmatic, asking a simple question: what can I do with this? Continue reading
An essay that looks back at the past five years at Handshake 302, “Figuring Post-worker Shenzhen” has been published in Made in China (vol. 3, issue 1, Jan-Mar 2018). In happy coincidence, one of the contributors to Learning from Shenzhen, Eric Florence also discusses representations of migrant labor in this volume (“Rural Migrant Workers in Independent Films: Representations of Everyday Agency,” pp 96-103). The journal is hosted at the website, Chinoiresie.info.
During the month of January 2018, MIIA AUTIO has been the artist-in-residence at Handshake 302. On January 19, 2018 she introduced her previous work to us. This Monday, January 29, 2018, Miia will give us a glimpse into her Baishizhou. Continue reading
Jonathan BACH opened our three-day workshop “Informal Plans, Planned Informality: Shenzhen as Model and Field” with the observation that our goal is not to map the borders between the proper city and its others, but rather to track the (slightly inflammatory, a bit delirious) algorithms that constantly produce those borders, which in turn keep re-producing the city. What does it mean, we ask, to document uncertainty?
During the month of January 2018, MIIA AUTIO is the artist-in-residence at Handshake 302. Based in Helsinki, Finland, Miia is a photographer and lens-based media artist who is interested in presenting societal issues in a way that knowledge and understanding is born through the interaction between the viewer and the work. In her works she deals with the themes of identity, foreignness and viewership. Continue reading