During the month of January 2018, MIIA AUTIO has been the artist-in-residence at Handshake 302. On January 19, 2018 she introduced her previous work to us. This Monday, January 29, 2018, Miia will give us a glimpse into her Baishizhou. Continue reading
Jonathan BACH opened our three-day workshop “Informal Plans, Planned Informality: Shenzhen as Model and Field” with the observation that our goal is not to map the borders between the proper city and its others, but rather to track the (slightly inflammatory, a bit delirious) algorithms that constantly produce those borders, which in turn keep re-producing the city. What does it mean, we ask, to document uncertainty?
During the month of January 2018, MIIA AUTIO is the artist-in-residence at Handshake 302. Based in Helsinki, Finland, Miia is a photographer and lens-based media artist who is interested in presenting societal issues in a way that knowledge and understanding is born through the interaction between the viewer and the work. In her works she deals with the themes of identity, foreignness and viewership. Continue reading
…or incompetence or sexual deficiency (if male) or too much testosterone (if female). And yet. The city’s ideology continues to promote masculinity and personhood as signs of the moral and deserving self, rather than effects of a class system that remains predicated on rural-urban divisions. Indeed, Shenzhen illustrates that even when rural people have become part of the urban prolitariate they can be ruralized with respect to the city’s more urbane classes. Continue reading
Just finished reading Ting Chen’s A State beyond the State: Shenzhen and the Transformation of Urban China, which maps how land was assigned and developed over the course of 35 years of development in Shenzhen. One of my favorite sections in the book tracks the transformation of Shahe State Farm, pre-1979 Bao’an County’s only danwei into Baishizhou, the city’s most iconic urban village. Indeed, Chen’s meticulous maps suggest how the area has mediated rural-urban conditions since 1959, when the farm was established. Continue reading
Yesterday evening, December 29, 2017, I had the pleasure of listening to Agency (Ersela Kripa and Stephen Mueller) speak on the results of their Shenzhen residency. They walked accessible edges to produce drawings and embroidery patterns of data, the embroidery algorithms derived from the difference between reported and their on-the-ground measurements of air particulates. The talk was inspiring, not least for “Roller Blade Boy” who skated circles around us, pausing only to check out the data. Continue reading