In Shenzhen, the ongoing transformation of a rural periphery into a mega-city is the latest attempt forms the latest chapter in global grabs to control global significance. Located just north of Hong Kong, the Shenzhen area has comprised the Sino-British border since July 1, 1898, when the Convention for the Extension of Hong Kong Territory came into effect. Once upon a time, the Sino-Bbeen accomplished through a logic of practical means to endlessly churned out desires and there has been something cut and pastiche about the construction of Shenzhen. What, for example, to make of this advertisement for real east developer Vanke’s East Coast development in Yantian District? What kind of space is implied by the figure of Lifestyle Leading the People?
Why Singleton Lunch? Why invite someone to Handshake 302, have them prepare a meal, share it with a group of friends and strangers, and call it “art”? What’s the difference between a Singleton Lunch meal and more traditional forms of art like painting or theater or even a happening?
The Myriad Transformations comprises sixty-four images that I created using photographs taken between 2002 and 2010. These dates are arbitrary but not random, marking the purchase of my first digital camera (August 2002) and the decision to my rudimentary photoshop skills to create a project to commemorate the thirtieth anniversary of the establishment of the Shenzhen Special Economic Zone (during an artist residency at the Sitka Center for Art and Ecology, December 2008-January 2009). I finished the images in 2010. In the process of saving and transferring these files to smaller drives with larger storage capacity, many of the original photoshop files were lost. What remains as a complete set are the files I created to print photographs of the images in 2011 or 2012. I reopened one of these files in January 2019 and realized they were more interesting in retrospect than they had been when I made them precisely because over the past decade (2010-2020), Shenzhen has re-invented itself yet again, and suddenly, abruptly, we see the latent structure of today in images that once upon a time seemed definitive, eternal even. Continue reading
A ten-year retrospective of Sui Jianguo (隋建国)’s work, System is currently on display at the OCAT Art Terminal. Across the street, Hua Museum, has showcased Miao Xiaochun (缪晓春)’s work in the solo exhibition, Simulations. Both artists have played with scale and method, calling attention to the material practice of creating in an era of digitalized mass production. However, where Sui Jianguo has interrogated the relationship between the human body, clay and its digitalized transformations, Miao Xiaochun has turned his attention to the relationships between digital simulations, imagined futures, and the resulting landscapes.
On Saturday November 24, 2018, over twenty people joined Handshake 302 on our rediscovery of the commercial culture of the “Old Special Zone.” The program began in Hubei, traversed Dongmen and ended in the historic Guomao Revolving Restaurant. Over the course of the day, we discussed how Chaoshan migrants influenced Shenzhen’s “entrepreneurial” cultural geography, the role of the garment industry in Shenzhen’s early industrialization, and the way in which new infrastructure—especially the railroad and the East River waterworks—allowed the city to compensate for its lack of water resources. Continue reading
So after the Municipality announced that it would suspend demolition of extant urban villages, villagers who will still have to hand their property rights over to the city took to the streets to agitate for demolitions. Because here’s the rub. The city has been using the demolitions as a way of regularizing property ownership, transforming the grays of collective ownership into the black and white of law. Now, the new plan will proceed with the regularization of property without the wealth that demolition has generated. Suddenly, there are villages facing what they clearly see as “lose-lose.” On the one hand, as the city upgrades living conditions in the handshake buildings, in perpetuity rights will become the 70 year rights of ordinary urban property. On the other hand, the transfer fees for those rights will no longer (can no longer) generate instant millionaires a la Gangxia and Dachong.
When the first “Singleton Lunch” was announced on November 1, we received 13 applications for three places. Everyone said that they were excited about the topic and we hope that in future, there will be opportunities for more friends to participate and share their ideas. (For the original article in Chinese, skip to the bottom of the post). Continue reading