Why Singleton Lunch? Why invite someone to Handshake 302, have them prepare a meal, share it with a group of friends and strangers, and call it “art”? What’s the difference between a Singleton Lunch meal and more traditional forms of art like painting or theater or even a happening?
The Myriad Transformations comprises sixty-four images that I created using photographs taken between 2002 and 2010. These dates are arbitrary but not random, marking the purchase of my first digital camera (August 2002) and the decision to my rudimentary photoshop skills to create a project to commemorate the thirtieth anniversary of the establishment of the Shenzhen Special Economic Zone (during an artist residency at the Sitka Center for Art and Ecology, December 2008-January 2009). I finished the images in 2010. In the process of saving and transferring these files to smaller drives with larger storage capacity, many of the original photoshop files were lost. What remains as a complete set are the files I created to print photographs of the images in 2011 or 2012. I reopened one of these files in January 2019 and realized they were more interesting in retrospect than they had been when I made them precisely because over the past decade (2010-2020), Shenzhen has re-invented itself yet again, and suddenly, abruptly, we see the latent structure of today in images that once upon a time seemed definitive, eternal even. Continue reading
A ten-year retrospective of Sui Jianguo (隋建国)’s work, System is currently on display at the OCAT Art Terminal. Across the street, Hua Museum, has showcased Miao Xiaochun (缪晓春)’s work in the solo exhibition, Simulations. Both artists have played with scale and method, calling attention to the material practice of creating in an era of digitalized mass production. However, where Sui Jianguo has interrogated the relationship between the human body, clay and its digitalized transformations, Miao Xiaochun has turned his attention to the relationships between digital simulations, imagined futures, and the resulting landscapes.
Happy Year of the Pig, which begins on February 5, 2019 and ends on January 25, 2020. May you and yours thrive, eat lots of good food and sleep fitfully.
In 2016, Handshake 302 began a meaningful collaboration with the Longheu Girls’ School P+V Gallery. Through the “Art Sprouts” public art program, we aimed to provide high quality arts and creative education for the children of Dalang. For almost two years, we brought professional artists to an urban village in the outer districts in order to help migrant children develop the skills and imagination necessary to thrive in the creative economy.
So by now you’re aware that the so-called “fortieth anniversary” of reform and opening is, in fact, a celebration of the third plenary session of the eleventh central committee of the communist party of china, which was held from December 18-22, 1978. This meeting, we are told, changed China and the world. Shenzhen is held up as the proof in the post cold war / era of reform and opening pudding. And yet, Continue reading
On December 17, 2018 Handshake 302 started the “Visible Growth” public art workshop at Guangxi Normal University. The purpose of the workshop is simple: to help students figure out how to use what is at hand to create artwork that is accessible to the public. And yet. The purpose itself must be rethought. What, for example, is a “student”? What constitutes “help”? Who are the “public”? And lord knows, we still don’t know have a common definition of “art”? Continue reading