During the month of January 2018, MIIA AUTIO is the artist-in-residence at Handshake 302. Based in Helsinki, Finland, Miia is a photographer and lens-based media artist who is interested in presenting societal issues in a way that knowledge and understanding is born through the interaction between the viewer and the work. In her works she deals with the themes of identity, foreignness and viewership. Continue reading
…or incompetence or sexual deficiency (if male) or too much testosterone (if female). And yet. The city’s ideology continues to promote masculinity and personhood as signs of the moral and deserving self, rather than effects of a class system that remains predicated on rural-urban divisions. Indeed, Shenzhen illustrates that even when rural people have become part of the urban prolitariate they can be ruralized with respect to the city’s more urbane classes. Continue reading
Yesterday evening, December 29, 2017, I had the pleasure of listening to Agency (Ersela Kripa and Stephen Mueller) speak on the results of their Shenzhen residency. They walked accessible edges to produce drawings and embroidery patterns of data, the embroidery algorithms derived from the difference between reported and their on-the-ground measurements of air particulates. The talk was inspiring, not least for “Roller Blade Boy” who skated circles around us, pausing only to check out the data. Continue reading
The Migrations exhibition opened beneath bright sun and clear skies, bringing together people from Longhua and Dalang, as well as graduate students from Shenzhen University and Langkou aunties. The opening ceremony celebrated the central idea of the 7th edition of the Biennale “Cities grow in difference,” taking advantage of the contrasts between the restored P+V, its surrounding urban village, and the clean design of INFUTURE. These contrasts created a particularly postmodern aesthetic that celebrated three generations of migrants—Hakkas who came to the area 300 years ago, missionaries who arrived 150 years ago, and the Shenzheners who have been path breaking Shenzhen since 1980. Indeed, the these differences are the nutrients that have made Shenzhen’s unique migrant culture. Continue reading
On Friday, December 22, 2017 at 10:00 we will hold our opening ceremony. Come for a fresh take on history, stay for the sweet rice balls of the winter solstice, and learn about our multifaceted public program!
Joshua Bolchover and Peter Hasdell edited Border Ecologies, a wonderful foray along the Shen-Kong suture. Contributing to the volume was pleasurable not only for the useful and considered editorial feedback, but also because I had a chance to work with Viola WAN Yan, a thoughtful and diligent young scholar. Please read our chapter, Shen Kong: Cui_Bono?