sock puppets!

There’s much I could say about why community art programs matter, but. Sock puppets! Incredibly cute kids! Everything that matters. Here.

This slideshow requires JavaScript.

张孟泰第三次工作坊海报-03

lightscape salon

The city is man’s most consistent and on the whole, his most successful attempt to remake the world he lives in more after his heart’s desire. But, if the city is the world which man created, it is the world in which he is henceforth condemned to live. Thus, indirectly, and without any clear sense of the nature of his task in making the city man has remade himself.

                                                                                                                     -Robert Park

Lightscape focuses on the relationship between sensory experience and external structures within the city. Continue reading

IMG_3586

shenzhen speed: nan’ao

I have this longing to believe that somehow what came before was less fragile and much less fleeting, more easily touched and grasped than is the present. The irony of this longing caught up with me in Nan’ao, where three generations of fishermen live side by side on a beach front urban village (that, yes, is scheduled for partial demolition and redevelopment). Continue reading

image_1471656248.068047

handshake 302 sound workshop

Handshake 302’s last exploration of Baishizhou was a collaboration between Handshake 302 and Shenzhen Center for Design. I comprised two parts: a silent walk through the urban village to collect sounds and a workshop discussion. Zhang Kaiqin and I led the walk (see map), while resident artist Zhang Mengtai led the workshop.

Continue reading

preservation ecologies

Guanhu (官湖) and Shayuchong (沙渔涌) Villages are within walking distance to each other along the Dapeng coastline. Guanhu is the village that has developed Jiaochangwei. A small settlement at the mouth of a river, Shayuchong is undergoing a complete renovation that is reminiscent of the horrific universidade paint-overs. Both villages are in various stages of redevelopment. And in the details I trace Shenzhen’s complicated preservation ecologies, where beauty, kitsch desires, and too much money take strange and curious form. Impressions from today’s walk, below.

This slideshow requires JavaScript.

image_1471008417.174593

listening to baishizhou / 白石洲寻声

Tomorrow afternoon, Handshake 302 collaborates with Future+ to explore the Baishizhou soundscapes. The workshop program begins with an hour-long tour to collect sounds and a 1.5 hour sound workshop with resident artist Zhang Mengtai. Meet-up at Baishizhou Metro Exit A.

1936-Casino-Traffic-470x500

luohu trivia

Stumbled across a bit of Luohu trivia that suggests that cross border licentiousness has been promoted on both sides of the border as a means of generating profit. According to the Industrial History of Hong Kong Group,

The opening of the “Shum Chun Casino” in 1931, provided one of the only new areas of passenger growth [for the Kowloon-Canton Railway]. By 1934 passengers visiting the casino were a major portion of the cross border revenue until its closure on 1st September 1936. The impact of the casino’s closure was such that there was a shortfall in the last four months of the year at round 30% of the net operating revenue.