So, in 2020, Chen Wenhui and I translated Li Yifan’s documentary, We Were SMART (杀马特我爱你). If you get a chance to watch the film, it provides insight into the 2000s, when a second generation of migrant workers came of age.
So, I developed thoughts on what the demolition of Baishizhou had me thinking about Shenzhen’s urban villages. The folks at Made in China, published it as The End of an Era? Two Decades of Shenzhen Urban Villages. Or, you can download a pdf of the paper, below.
In December 2020, the central government called for speeding up rural modernization (加快农业农村现代化). As elsewhere on the planet, this means industrialization, more Science and Technology R&D, and a new role for Shenzhen in the region! (I know that’s what we care about.) Anyway, a few days ago, I visited the Huizhou City Shennong Fragrant Orchid Valley Ecological Agriculture Science and Technology Ltd. (惠州市神农兰香谷生态农业科技有限公司), which is a grape farm, where no grapes would naturally grow, let alone thrive. So what’s the connection to Shenzhen?Continue reading
A few weeks ago, Handshake 302 visited a learning farm in Zhongshan. The farm was located in a valley near Zhuhai; five hundred years ago, the area would have been an island. There is underground spring water on the mountain, which facilitated the conversion of sand and silt runoff (from the West and North Rivers) into polders, where it was possible to grow rice and lotuses, and to cultivate fish ponds and vegetable gardens. This particular farm is too small to support a family, but large enough for children and their parents to visit and learn about organic gardening. Indeed, the municipal government has already annexed surrounding farms into its latest master plan. This farm survived because it has a “modern” purpose.
Visiting the Honghe Vineyard in Mi Le, Yunan, I am reminded how necessary a full sense life is; yes, it is beautiful here, but even more than visual, this is a beauty of open ears, nose, and mouth. Birds sing, flowers entice, spices and herbs tempt the tongue, and the breeze lightly touches open skin. Yet, in the middle of it all, my guide points to an “urban village.” The form has been generalized, something else that we have learned from Shenzhen and Guangzhou. Can there be meaningful rural life when urban consumption of the rural has pre-empted actual villages as the presumed mode of living, even here.
The movie is 《封门诡影》 and it starts of with the fear of abandoned villages as if the reason was for villages being emptied out was supernaturally evil. Fengmen (literally closed door) Village was inexplicably abandoned. I’ve never never seen Blair Witch, but this movie seems kind of like, but with ghosts and dodgy fengshui. Our intrepid hero teaches psychology and has issues because unable to understand evil within his cognitive framework. It’s all in your mind. But not really. Cut to evil cackle.
For those who doubt that once upon a time Bao’an County was coastal, I offer images from Baguang, one of the more beautiful sections of Dapeng New District. The majority of Baguang villagers have been relocated, while land and coastline have been red-lined for environmental protection, green living and research. At the moment, Baguang shimmers at the cusp of redevelopment–not yet remade, but yet already under erasure. Boom!
Yesterday, I visited the two-day exhibition that Xu Lan (徐岚) put up in a one-bedroom apartment (2,400 / month) in Tangtou Block 6, Baishizhou. The exhibition took place over two days (Jan 8 and 9, 2017) and comprised mountain and water sketches / illustrations from a week-long stay (previous) in Baishizhou. The series itself is part of an ongoing project of travelling and documenting those travels. The inspiration for the exhibition (as narrated by Xu Lan) was random (偶然). He was thinking of the painter Qi Baishi (齐白石) and painted his own “Baishizhou” and then decided to show the works in Baishizhou, Shenzhen because he remembered having been here once.
These past two days, I have been in Leming, a mountain village located in the northern reaches of Guangzhou. It’s a site where one confronts the unevenness of development, where artists and environmentalists are trying to do something meaningful with what remains after the most of the village’s young people have left for factories in “Guangzhou” proper. Continue reading