You may be aware that many in China are protesting Christmas because the country has its own traditions. In turn, the nativist logic behind the protests has shown up all sorts of contradictions. Exhibit A is an image and commentary from we chat: Continue reading
This year I was in the Chinese northland during the first week of the Trump presidency, a fact which had me thinking about national geographies of opportunity and despair. (Honestly, how could I resist when we were celebrating the Year of the Cock?!) Of note? The pride and resentment, wellbeing and jealousy that I encountered in the Chinese interior resonated with my experience of the American heartland, where my parents were born, even as the valuation of Shenzhen and other southern cities seemed much like American valuations of the progressive northeast, where I was raised.
100 rmb notes and US C notes go together like boy and girl, like modernity and tradition, like Mao Zedong and Benjamin Franklin, like officialdom (guanfang) and society (minjian), like yang and yin. I was thinking about how in Shenzhen du jour tradition is being (re)constituted through economic reform–specifically, I was thinking about how tradition has become the vehicle that naturalizes the demolition of (unnatural) urbanized villages in a city long described as “lacking history,” and this matched New Years set shows up on the entrance to my apartment building. As with many symbols of Chimerica, gender suggests the multiple forms of power that create particular subject positions, especially in the figuring of ideal relationships, where even if the male, head-of-house holds money that is ostensibly worth less than the female, nevertheless, in Chimerica East the primacy of renminbi makes sense (cents) precisely because “tradition” keeps us in place.
In 2010, when many of the 90s kids where applying for college, they were encouraged to become economically independent. Shame was also deployed, and recent college graduates who couldn’t find a job and continued to live at home were accused of “gnawing on the old folks (啃老)”. Of course, these were the same kids who were also accused of “being too rich for their own good (富二代)”. Continue reading
This afternoon I had the pleasure of attending the opening of the Digging a Hole in China (事件的地貌) exhibition, curated by Venus Lau. the exhibition features a range of works that were produced from the mid-1990s forward, roughly a decade after the idea of land art had been picked up by Chinese artists and only a few years after Deng Xiaoping’s 1992 Southern Tour, where he confirmed that China would continue to liberalize its economy. The stated goal of the exhibition, which positions itself between China and the West is,
[T]o expose and analyze the discrepancies between this genre of work and ‘conventional’ land art understood in the Western-centric art historical context, thereby probing the potential of ‘land’–as a cultural and political concept–in artistic practice.
For the third year, Group+ has ranked its top-30 online communities, which is interesting as it is part of a model of disseminating information about not-for-profit, non-governmental organizing. Over 1,500 groups use Group+, a Shenzhen-based online platform to organize real time “community” events. Fat Bird ranked 3rd, even above the Shenzhen Reading Federation (#5) and Green Mango (#13), which have much broader audiences than does experimental theater. What do these rankings tell us about the possibilities of imagining outside the state in Shenzhen specifically and China more generally? Continue reading
I have been applying for a grant. The US based foundation asks for a CD-rom of work samples, while it is still illegal in China to send CD-roms overseas (domestic mailing no problem.) Here’s the thing. It is perfectly possible to send mega-files from China anywhere in the world, even without a VPN. It’s also possible for foundations to store information on clouds and have a protocol for deleting extra information after a round of submissions. But instead of a simple information transfer, I’m stuck between two outdated systems for archiving (or not) information. Continue reading