On October 14, 2018, Handshake 302 welcome a group of Chevening scholars to Baishizhou. We brought the Chevening scholars to seven of Baishizhou’s micro-environments. Each micro-environment not only illustrates the urban life of Shenzhen, but also represents an important moment in the city’s history. Continue reading
“Singleton Lunch” is a thought experiment with food. Handshake 302 invites participants to prepare a meal for 4 to 6 people (the average size of a household). We provide rice, oil, seasoning, bowls, water and electricity. We give the chef five yuan per person to purchase ingredients anywhere in Baishizhou. The chef uses these ingredients to prepare a meal. During the meal, the chef leads a discussion about the challenges of making a home in Shenzhen. In other words, “Singleton Lunch” asks people to share their stories about settling down in a city, which is famous as a destination for unmarried migrants. Continue reading
The second station on the Chinese side of the Kowloon-Canton Railway, Buji was an important Hakka market town that during the early years of reform was a center of manufacturing. Today, Buji is a street office (办事处) with an estimated population of over one million. Most Buji families live in an urban village and their children attend minban (民办) schools. A minban school is owned and operated by private companies, filling educational needs that are not met by the public school system. Elite minbans tend to be international and position graduates for university abroad. However, the most common type of minban school in Shenzhen is the urban village minban, which has been set up to educate children who are ineligible for a public education. The most common reason for being ineligible for a public education are hukou related; often families are not long-term residents of the city, which means their children are only eligible for public education back home, or the child was born outside the family planning policy and the parents cannot afford the fines to send the child to public school.
Today, I walked the village named Baishizhou, which is located south of Shennan Road and is not scheduled for demolition. This other, lesser known Baishizhou is tucked away behind Window of the World, middling housing estates, and the KK Banna Mall. Unlike the Baishizhou that is scheduled for demolition, this other, less expensive Baishizhou does not hum and pop, does not buzz with entrepreneurialism and the rush of young office workers, but rather transports us back to Shenzhen 2.0; at the turn of the millennium, most Shenzhen neighborhoods were like this: straight-forwardly residential in the middle with an outer ring of functional shops and fast food, and hardware stores that spilled into the street because the sidewalk had not yet been laid down. Continue reading
An essay that looks back at the past five years at Handshake 302, “Figuring Post-worker Shenzhen” has been published in Made in China (vol. 3, issue 1, Jan-Mar 2018). In happy coincidence, one of the contributors to Learning from Shenzhen, Eric Florence also discusses representations of migrant labor in this volume (“Rural Migrant Workers in Independent Films: Representations of Everyday Agency,” pp 96-103). The journal is hosted at the website, Chinoiresie.info.
Friday, April 20, 2018, Handshake 302 had the privilege of hosting Wu Xiaoya’s (吴晓雅) sharing about her recently published book, Baishizhou: Shenzhen’s Center and Periphery (白石洲：深圳的中心与边缘。深圳报业集团出版社，2018). Roughly twenty people squeezed into the backroom at Banxian Coffee House, which graciously offered its space for the two-hour event. Of note? The audience comprised a representative sample of the young intellectuals interested in Shenzhen’s urban villages, including recent college graduates who currently live in urban villages, graduate and doctoral students from Shenzhen University, and several second generation Shenzheners who are active in the city’s 公益 scene. We gathered not only to discuss Baishizhou specifically, but also the so-called “urban village phenomenon.” Continue reading
During the month of January 2018, MIIA AUTIO is the artist-in-residence at Handshake 302. Based in Helsinki, Finland, Miia is a photographer and lens-based media artist who is interested in presenting societal issues in a way that knowledge and understanding is born through the interaction between the viewer and the work. In her works she deals with the themes of identity, foreignness and viewership. Continue reading