A few months ago, I published an essay that periodizes the development of urban villages in Shenzhen. It provides a more nuanced context of how we arrived at the public shaming of Shatou during the recent Covid outbreak. It also contextualizes Baishizhou as an important landmark in Shenzhen’s cultural geography, speculating on what the demolition of Baishizhou means and might mean for the city. Published in Made in China, Archaeologies of the Belt and Road Initiative.
Long ago, when Handshake 302 was in Baishizhou and Baishizhou was the city’s most icon urban village, we ran a residency program. The first iteration of the residency was “Village Hack.” Several years ago, I reflected on the program and what it taught us about how Shenzheners were formed (paper can be downloaded, below).Continue reading
So, I developed thoughts on what the demolition of Baishizhou had me thinking about Shenzhen’s urban villages. The folks at Made in China, published it as The End of an Era? Two Decades of Shenzhen Urban Villages. Or, you can download a pdf of the paper, below.
This is a speculative post about something that has been niggling at the back of my mind this past year. Or at least since I started walking around Shenzhen after COVID restrictions lifted circa April 2020; I think the era of urban villages in Shenzhen has ended.Continue reading
I went out this morning to buy fresh bread (still warm!) at my favorite bakery. The stairwell in our building is not only spotless, but also smells of disinfectant. In the compound, our resident Party Center (党群中心) had an announcement about sanitation safety on loop. One of the security guards took my temperature as I left and as I returned.
Things that I’ve heard from friends in other parts of the city: streets are empty, but in Baishizhou, more storefronts have been cordoned off; the country may be on lockdown, but it is partial. Urban renewal proceeds. Also, students have been sent reading materials and some have already begun online classes.
Something I’ve heard from a friend whose hometown is near Wuhan: everyone must stay indoors. One person per household can leave once every five days to purchase food and necessities.
Yesterday I walked Baishizhou, remembering the bustle of our rushed departure. Bikes and motorbikes, cars and moving vans clogged the hot streets, and we squeezed through and around pedestrians on their way home or to work or to shop or out for a snack. Yesterday, even the once crowded food alley has been mostly abandoned; a few shops are still open at the intersections between the alley and main roads, but the overwhelming feeling is one of departure and a viscous waiting.
Sabrina Muzi was the Handshake 302 visiting artist in June 2017. Her work is wonderful. She’ll be showing her video “Wandering Baishizhou” on Friday, May 17. If you are in Rome, do check it out.
Since the invention of cell phone cameras, most of us take more pictures in a day than we used to in a week or sometimes even a month. We take pictures of ourselves, we take pictures of landscapes, we take pictures of friends, and we take pictures of cats. Many, many pictures of cats. The question, of course, is what are we doing? What desires do these pictures represent? What is the story behind a selfie or the truth capture in a photography of a sleeping kitten? Continue reading
On March 29, Chengdu artist CHEN Weicai held his final salon at Handshake 302, showing us the work he created while in Baishizhou. He focused on two questions–materiality and rules of engagement. The results were inspiring. Here are a few of the pieces he created in and out of Baishizhou’s material substrate.
On October 14, 2018, Handshake 302 welcome a group of Chevening scholars to Baishizhou. We brought the Chevening scholars to seven of Baishizhou’s micro-environments. Each micro-environment not only illustrates the urban life of Shenzhen, but also represents an important moment in the city’s history. Continue reading