Today is Grave Sweeping Day, so I thought I’d publish something about an historic cemetery–Holy Hill (圣山), which is located in Buji.Continue reading
On November 17, 2018 the “Rediscovering the Longheu Girls’ School” concluded with three programs that offered over 60 people the opportunity to think about the connections between history, environmental protection, and art.
Check out what happens when Handshake 302 curates an exhibition that brings community together through history and art. A brief introduction to the “Migrations: Home and Elsewhere” exhibition that was up at the Longheu P+V Gallery from Dec. 22, 2017 through Feb. 4, 2018. More videos on our FB page; written documentation of our practice here.
The Migrations exhibition opened beneath bright sun and clear skies, bringing together people from Longhua and Dalang, as well as graduate students from Shenzhen University and Langkou aunties. The opening ceremony celebrated the central idea of the 7th edition of the Biennale “Cities grow in difference,” taking advantage of the contrasts between the restored P+V, its surrounding urban village, and the clean design of INFUTURE. These contrasts created a particularly postmodern aesthetic that celebrated three generations of migrants—Hakkas who came to the area 300 years ago, missionaries who arrived 150 years ago, and the Shenzheners who have been path breaking Shenzhen since 1980. Indeed, the these differences are the nutrients that have made Shenzhen’s unique migrant culture. Continue reading
In the Republic, Plato argues that the faults of poets are many. In addition to being irrational, they—and this is their gravest fault, he says—“invent” stories about events that never happened. In other words, Plato conflated “story telling” with “telling lies.”
In fact, historians artists approach the past from two different perspectives. Historians are interested in figuring out what happened when and why, while artists explore the past in order to discover future possibilities. Continue reading
One of the features of the Longhua (Dalang) Sub-venue of the UABB will be an exhibition of artifacts that were taken back to Switzerland, when the missionaries left China in 1948. To learn more about the Basel Mission and their “Chinese children,” please read the rest of the article. The artifacts will be on display at the Longheu P+V Gallery from December 22, 2017 through December 4, 2018.
This past Sunday at the Longheu P+V Gallery, we began the “Stories of Rice,” an art project which explores the meanings of women’s work through history. A warm-up for the “Migrations” exhibition, the project combines stories, old photographs, and embroidery. The project is curated by German artist Katharina Sommer. Interested? If you would like to join us, please subscribe to the Handshake 302 We Chat account to register for the next workshop on Sunday, November 26.
From December 2017 through February 2018, the P+V Gallery will be the site of the Longhua (Dalang) sub-venue of the 2017 Shenzhen-Hong Kong Bi-City Biennale of Urbanism\Architecture. The main venue will be at Nantou Ancient City. The theme of the sub-venue is: Migrations—Home and Elsewhere, Rediscovering Hakka History and Chinese-Western Cultural Exchange. The program is curated by Dr. Mary Ann O’Donnell in collaboration with Handshake 302 and the P+V Gallery History Association. The founding of the school and Hakka history are our point of departure for rethinking what it means to be an immigrant. Continue reading