From December 2017 through February 2018, the P+V Gallery will be the site of the Longhua (Dalang) sub-venue of the 2017 Shenzhen-Hong Kong Bi-City Biennale of Urbanism\Architecture. The main venue will be at Nantou Ancient City. The theme of the sub-venue is: Migrations—Home and Elsewhere, Rediscovering Hakka History and Chinese-Western Cultural Exchange. The program is curated by Dr. Mary Ann O’Donnell in collaboration with Handshake 302 and the P+V Gallery History Association. The founding of the school and Hakka history are our point of departure for rethinking what it means to be an immigrant. Continue reading
So these past few months, I have been busy setting up a public arts education program at the P+V Gallery (虔贞女校艺展馆) in Dalang. We’re calling this series of events, the P+V Academy (虔贞女校学堂). This name, of course, is an updated rendering of Pious Virgins Girls’ School and the project to create a space for alternative, minjian (民间) histories.
On Saturday, September 9, 2016 at 3 pm, we’re screening Shefong CHUNG’s “From Border to Border,” a documentary about the Hakka diaspora in India. The title, of course, alludes to the marginalization of the Hakka within both China and India. We are thrilled that the director will be joining us for the screening and discussion. If you’re in the neighborhood, join us.
Located in the middle of an urban village, the P+V Gallery is the only historically restored building in Shenzhen that offers public programing. It is truly worth a visit to experience both the city’s deep history as well as Dalang Street Office’s efforts to shape an alternative public culture. The “Children’s Art Sprouts” projects, which organizes a monthly arts course, including the sock puppets is part of the Academy’s offerings.
Last week, I participated in the “真空” art week. 真空 means emptied out or true emptiness. The curatorial statement (translated below) emphasizes how urban renewal is “emptying out” the villages and what remains is neither this, nor that. Almost buddhist, except we’re still yearning and true emptiness alludes us. Continue reading