The Shenzhen Bay Fringe Festival begins on Saturday, December 4 at 3 pm with a three-hour parade. The parade route spans from the Poly Theatre in the east to the Wenxin Park Plaza in the west (behind the Nanshan Book City). Should be fun. Also, please note that during workdays, most performances and screenings will take place from 7:30 on.
For Fat Birders, there will be two outdoor performances. The short playAnimals in Motion: Flashing Animals (动物在行动之”快闪动物”) shows on Sunday, December 5 at 4 p.m. on the Shenzhen Bay walk. The second is an ongoing performance piece (5-11 Dec) – Animals in Motion: One Cat, Six Days (动物在行动之”一猫六日”) that takes place throughout Coastal City.
In the meantime, in the spirit of the hopeful creativity, I’m posting a translation of Yang Qian’s thoughts on the Fringe; the Chinese original follows.
In the name of Shenzhen Bay
During the Pliocene Epoch, over 5,300,000 years ago, black-faced spoonbills already took refuge in the mangrove forrest that grew in the deep and tranquil swamps of Shenzhen Bay. Over the past few decades, the ongoing reduction of the wetlands necessary to their survival, the increasing smog of their skies, the beautiful neighborhoods incesently clammering on their coast, towering glass skyscrapers and the shocking honks of traffic have made it nearly impossible for them to nest and breed here. Nevertheless, spoonbills continue – now as before – to take wing at sunrise and return to their nests at dusk. Like a group of society-forsaking hermits, their hidden but unhurried observation bears witness to and records each and every human action.
The nine days from December 4 to 12, 2010 may bring a sense of prosperity to the human residents of Shenzhen Bay because this is where the first Shenzhen Bay International Fringe Festival is being held. These days, it is more and more difficult to find situations which might be described as prosperous, nevertheless I feel that for this arts festival, we can boast a little.
The first Fringe Festival was held in Edinburg in 1947. It’s purpose was to celebrate and generate conversations about alternative theatre. Today, the Edinburg Fringe remains the world’s most famous and largest Fringe Festival. The word “fringe” refers to the decorative edge of a garment, consisting of hanging threads or cords. In the context of the arts it refers to art that is non-official, alternative, and non-commercial. Throughout the world, many countries and regions have their own Fringe, when residents get crazy happy and artists flaunt their brilliance and creativity.
During the first Shenzhen Bay International Fringe Festival, several tens of thousands of people will participate in the arts parade, independent films will be shown, cutting edge music and theatre will be performed, and performance artists and animal protection supporters will protest animal cruelty. The organizing principals of all this celebratory play are collective participation and individual creativity, equal dialogue and free expression.
In addition, I hope that people will be pleasently surprised to discover that the arts may change one’s habitual understanding of “ecological geography”. The first Shenzhen Bay International Fringe Festival takes place at Coastal City and the surrounding area. For the past three years, this luxury shopping mall has been the destination of upscale consumors. However, during the Fringe, the focus is not anxiously desired namebrand goods, even as the conversation is not about getting a good deal. In an era of ascending consumerism, securing a free space is a battle of life and death. In contrast, during the Fringe business defers to the people, and if even for a few days, this breathing space is the kind of prosperity worth lauding.
Finally, I cannot but comment that in practice the themes of this year’s Fringe – environmental conservation, low carbon life styles, and ecological safety – are but impotent and empty talk.
To understand the scale of Shenzhen’s environmental transformation, the most direct method is to visit the NASA website and download satelite photos of the Nantou Peninsula. From 1997 to 2002, in the short span of five years, the area of the peninsula doubled in size. What was the corresponding increase in population? How much arable land was eliminated? How many wild animals and plants were lost? Who knows the answers to these questions? More to the point, who can tell us what the short and long term cumulative effects of industrialization are and will be?
Presently, the phrases “environmental protection,” “low carbon lifestyle,” and “ecological safety” are on everyone’s lips. However, when we say one thing and do another, even putting the rights, safety, and protection of consumers above those of our world, then of course we become even more hypocritical and destructive.
A sense of prosperty flourishes when we face the world with dreams and hope and live with respect and freedom. It does not grow ignoring and fearing painful and lingering death – of ourselves or of the natural world. The most valuable aspect of the Shenzhen Bay Fringe is that it provides us with an opportunity to reflect on the true meaning of prosperity. Whether or not a fringe festival celebrated in the name of Shenzhen Bay will maintain its honor and sence of well-being is not simply dependent on Shenzhen’s GDP, but more importantly depends on the future condition of the Bay itself. If human beings act in the name of place and are to do so without shame, it must be done in such a way that also benefits black-faced spoonbills and painted snipes, spoiled and abandoned pets. May all that consitute the Shenzhen Bay prosper!