who upholds the peace?

You may be aware that many in China are protesting Christmas because the country has its own traditions. In turn, the nativist logic behind the protests has shown up all sorts of contradictions. Exhibit A is an image and commentary from we chat: Continue reading

migrations is open!

The Migrations exhibition opened beneath bright sun and clear skies, bringing together people from Longhua and Dalang, as well as graduate students from Shenzhen University and Langkou aunties. The opening ceremony celebrated the central idea of the 7th edition of the Biennale “Cities grow in difference,” taking advantage of the contrasts between the restored P+V, its surrounding urban village, and the clean design of INFUTURE. These contrasts created a particularly postmodern aesthetic that celebrated three generations of migrants—Hakkas who came to the area 300 years ago, missionaries who arrived 150 years ago, and the Shenzheners who have been path breaking Shenzhen since 1980. Indeed, the these differences are the nutrients that have made Shenzhen’s unique migrant culture. Continue reading

it’s happening at the P+V!

 

This past six months the Migrations curatorial team has been busy creating an exciting exhibition and now we’re ready to share the fruit of our labor with our neighbors in Langkou Village and our friends throughout Shenzhen. We are proud to present five new artworks especially commissioned for this exhibit and thrilled to introduce the repatriated objects of Switzerland’s “Chinese children.”

On Friday, December 22, 2017 at 10:00 we will hold our opening ceremony. Come for a fresh take on history, stay for the sweet rice balls of the winter solstice, and learn about our multifaceted public program!

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cui bono at the border?

Joshua Bolchover and Peter Hasdell edited Border Ecologies, a wonderful foray along the Shen-Kong suture.  Contributing to the volume was pleasurable not only for the useful and considered editorial feedback, but also because I had a chance to work with Viola WAN Yan, a thoughtful and diligent young scholar. Please read our chapter, Shen Kong: Cui_Bono?

so what happens during a handshake residency?

Catherine Nakawesa visited Handshake 302 in July 2017 and has published her reflections on her experience. Don’t take our word for how much happens and can be experienced in Shenzhen, listen to hers! Read the serendipitous making of made in shenzhen.

let’s debunk the fishing village myth

and while we’re at it let’s talk about food.

“stories of rice” update

because the kids are just that cute! These pictures are from Nov 11 and Dec 3, if you have time, join us Sunday, Dec 10 and 17 for more afternoon fun at the P+V Migrations exhibition.

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small acts, big questions

While at Handshake 302, performance artist Dong Jie’s two interventions were simple and old fashioned efforts to reach out across space and time and connect with another human being. First, she wrote postcards and sent them to friends living outside Shenzhen, asking them to respond in five years time to see where the answers might end up. Second, before she left, she hid money in the apartment for the next resident to find or not, depending on their whim and luck.

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for those who keep asking

how can I learn more about Handshake 302? Download 握手302介绍 and read about four years of ongoing art and interventions (in Chinese). And don’t forget to follow us on we chat!

Public Programs for Migrations

The activities organized for the Migrations exhibition aim to create knowledge about Shenzhen’s history and to catalyze reflection on how departure and arrival shape human lives. On the face of it, these are broad topics, more suitable for a classroom or seminar than a small gallery in a remote urban village. However, overcoming the distance between “downtown” and “the outer districts” is one of the central ideas of this edition of the Shenzhen-Hong Kong Bi-City Biennale of Urbanism\Architecture (UABB), just as bringing “art” and “ordinary lives” closer together has been an ongoing ideal of Handshake 302. Continue reading