An essay that looks back at the past five years at Handshake 302, “Figuring Post-worker Shenzhen” has been published in Made in China (vol. 3, issue 1, Jan-Mar 2018). In happy coincidence, one of the contributors to Learning from Shenzhen, Eric Florence also discusses representations of migrant labor in this volume (“Rural Migrant Workers in Independent Films: Representations of Everyday Agency,” pp 96-103). The journal is hosted at the website, Chinoiresie.info.
Friday, April 20, 2018, Handshake 302 had the privilege of hosting Wu Xiaoya’s (吴晓雅) sharing about her recently published book, Baishizhou: Shenzhen’s Center and Periphery (白石洲：深圳的中心与边缘。深圳报业集团出版社，2018). Roughly twenty people squeezed into the backroom at Banxian Coffee House, which graciously offered its space for the two-hour event. Of note? The audience comprised a representative sample of the young intellectuals interested in Shenzhen’s urban villages, including recent college graduates who currently live in urban villages, graduate and doctoral students from Shenzhen University, and several second generation Shenzheners who are active in the city’s 公益 scene. We gathered not only to discuss Baishizhou specifically, but also the so-called “urban village phenomenon.” Continue reading
During the month of January 2018, MIIA AUTIO is the artist-in-residence at Handshake 302. Based in Helsinki, Finland, Miia is a photographer and lens-based media artist who is interested in presenting societal issues in a way that knowledge and understanding is born through the interaction between the viewer and the work. In her works she deals with the themes of identity, foreignness and viewership. Continue reading
Just finished reading Ting Chen’s A State beyond the State: Shenzhen and the Transformation of Urban China, which maps how land was assigned and developed over the course of 35 years of development in Shenzhen. One of my favorite sections in the book tracks the transformation of Shahe State Farm, pre-1979 Bao’an County’s only danwei into Baishizhou, the city’s most iconic urban village. Indeed, Chen’s meticulous maps suggest how the area has mediated rural-urban conditions since 1959, when the farm was established. Continue reading
Established in 2007, Shenzhen’s Ya Ya Theatre is an amateur troupe that specializes in playback theatre, a form of improv in which audience members tell stories from their lives and watch players enact the story. Ya Ya meets once a week to rehearse and have occasional performances in diverse venues, including Shenzhen’s indie bookstore Feidi (飞地书局), the Yuehai Community Culture Station, and Shenzhen’s Fringe Festival. On Saturday September 23, they brought their program “One Person, One Story” to Handshake 302. What follows are impressions and clips from that program. Continue reading