Handshake 302 is starting a three-week program to train and encourage people to develop their own walking tours of Shenzhen. Thank you Partnerships for Community Development for your support.
Handshake 302 is starting a three-week program to train and encourage people to develop their own walking tours of Shenzhen. Thank you Partnerships for Community Development for your support.
Last weekend (April 1-2), Handshake 302 set up a stand at the T-Street craft fair. We brought ten years of memories, including original bags that had been repurposed from the 2017 UABB Longhua (Dalang) venue installation “Story of Rice,” teeshirts from “Urban Flesh and Bones,” our series of walking tours, and “Mahjong Parlor,” or “exhibition in the palm of your hand.”
The stalls are lined up in the center of the pedestrian walks in the northern and southern sections of OCT Loft, allowing visitors to browse stalls, stop for a snack or settle into an alfresco coffee shop, where one can rest and watch the different people. Following the side roads a bit further into OCT brings visitors to interesting galleries like Feidi and Dade, or to Ecological Park where many art installations from previous sculpture biennales continue to entice new audiences.
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It’s the tenth anniversary of Handshake 302 and you’re invited to the party!!!!
The first event is “Mahjong Parlor.” We have designed a deck of cards–a handheld exhibition. Each suit is a curated introduction to a Handshake project. Hearts are images from the village residency; clubs are from the Biennale; diamonds are from “Singleton Lunch” and; spades are from “Art Sprouts,” which we ran at the P+V gallery (Longheu Girls’ School) in Dalang. “Mahjong Parlor” will be held every second and fourth Saturday afternoon at at Stone Stage in Luohu.
So how did we get here?
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how can I learn more about Handshake 302? Download 握手302介绍 and read about four years of ongoing art and interventions (in Chinese). And don’t forget to follow us on we chat!
In the Republic, Plato argues that the faults of poets are many. In addition to being irrational, they—and this is their gravest fault, he says—“invent” stories about events that never happened. In other words, Plato conflated “story telling” with “telling lies.”
In fact, historians artists approach the past from two different perspectives. Historians are interested in figuring out what happened when and why, while artists explore the past in order to discover future possibilities. Continue reading
Friday August 25, 2017 I had the honor of participating in the closing meeting of the second edition of the “Shenzhen Oral History” project. It was a high level and exciting cultural event that commemorated the people who contributed to Shenzhen’s second decade, 1992-2002. A week later on Friday September 1, I attended the salon for Wu Xingyu and Zhong Yuxiao’s art project “Demolition.” Continue reading
Sunday afternoon, 4:00 at Handshake 302:
To truly listen, we must first become quiet, creating a silence proper to ourselves. When quiet, you will hear the sounds of nature. At that moment, the sound flows, and nothing remains but a trace of memory. Silence is itself the opportunity to reflect on what it means to hear.
Listening is not just a question of hearing the music, but of listening to the natural voice, which includes static. Problems come; where does the static of life come from? Why does it appear? The unavoidable sounds of daily life constitute different experiences.
During this workshop we will share sound—its creation, its documentation, and what it means to listen. We invite each participant to quiet their minds and truly listen. The screaming child and your screaming mind: are these sounds the same or different? The rustling wind and a little girls giggle: do they play your heartstrings in the same way? Listen to the soundscapes of Baishizhou and hear your heart. Beat.
China Residencies interviewed Kaiqin and me about the ongoing residency at Handshake 302. Check out the interview and learn more about creative engagements with and in China.
So “Oysters and Champagne” the Shajing version opened this weekend and it was quite beautiful:
Meanwhile, Handshake 302’s installation, “n=distortion” also opened at the SZ-HK Biennale:
This rhythm of Shenzhen culture can overwhelm. Suddenly, there are installations, performances, and salons everywhere. We are inundated, but frankly often too tired to enjoy the deluge.
However, as a Cantonese proverb says, “Water is wealth.”
Yes.