A current exhibition of the photography of He Huangyou (何煌友), Shenzhen Memory is something of a historical mashup. It includes many of He’s most-well known photographs, which have shaped our visual imagination of the Shenzhen before and at the cusp of reform. These photographs are well worth seeing in person. However, the exhibition neither contextualizes nor places the photographs in chronological order, leaving interpretation up to the viewer. This form of representation may in fact conform to what we know of how memory works–it is highly personal and unreliable–but it makes it difficult to place the images into larger histories. It feels as if we are suddenly viewing the illustrated introduction to the “fishing village to world city” narrative without bothering to mention that the exhibition includes pictures from at least three different coastlines and two different epicenters of reform (Shenzhen and Shekou).
