One of those unsettling (and the word is deliberate) ironies of the occupation of (or perhaps an ongoing preoccupation with?) Xinjiang has been the Han appropriation of Uyghur music and dance in public spaces. In Lianhuashan Park behind the Citizen’s Center, for example, people often gather for ethnicized plaza dancing. Sometimes, Indian a la Bollywood and sometimes Central Asian a la Xinjiang. The irony, of course, is if they were actually Uyghurs and not cosplay Uyghurs, there would be no public dancing, except in designated spaces. Indeed, I’m still working through how plaza dancing gets around the current policy that limits public gatherings to under 30 people. It’s as if public dancing is so much part of the public scene that even when it breaches norms and policy, the dance and the dancers remain non-threatening to the security guards and urban management types who sit nearby scrolling through their WeChat messages or drive past in golf carts.