Long-term collaborator, Jonathan Bach and I reflect on the shifting meanings of local identity and local belonging in “Reclaiming the New, Remaking the Local: Shenzhen at 40,” which was published in china perspectives, 2021/2 pp. 71-5.
Friend Jonathan Bach is in Shenzhen, researching questions around cultural / creative industry in the city and I have had the pleasure of thinking the issue through his questions. A few days ago, we went to F518时尚创意园 or F518 Idea Land, “The first experienced sharing space in China, Creative industry multi-commercial semi-tourist destination” – unquote from the website. While at F518, we spoke with Zhang Miao, the architect of area’s landmark hotel and planner of other similar creative spaces in Hangzhou, Guizhou, and Guangzhou, in addition to Shenzhen, asking, “What is cultural industry?.”
In brief, as practiced and promoted in Shenzhen, cultural industry refers to the production and consumption of cultural commodities, including stories and artwork and design. Continue reading