A ten-year retrospective of Sui Jianguo (隋建国)’s work, System is currently on display at the OCAT Art Terminal. Across the street, Hua Museum, has showcased Miao Xiaochun (缪晓春)’s work in the solo exhibition, Simulations. Both artists have played with scale and method, calling attention to the material practice of creating in an era of digitalized mass production. However, where Sui Jianguo has interrogated the relationship between the human body, clay and its digitalized transformations, Miao Xiaochun has turned his attention to the relationships between digital simulations, imagined futures, and the resulting landscapes.
Lately I have been writing about Generations 80 and 90 because much of what they do and think mark interesting sites of departure from older generations. Today, a brief comment about my experience watching Beijing Opera with an 80 year-old friend.