For those interested in the 2013 edition of the biennale, here’s the website. Alas, many of the pictures are distorted, but upside? Fat Bird’s Urban Village Fetish / Baishizhou is featured today!
Monthly Archives: November 2013
coming home to the liberal arts
This past week my friend’s daughter has been visiting liberal arts colleges and I have been tagging along, surprised by my sense of homecoming; these are my people.
I have lived and worked in Shenzhen close to twenty years. I continue to engage in anthropological research about the city and participate as a public intellectual both in Shenzhen and outside, in conversations about Shenzhen and what it teaches us about rural urbanization in the post Cold War era. I work with Fat Bird to produce theater and have recently joined friends to form CZC Special Forces, a group working to make art and performance in and around Shenzhen’s urban villages. Over the years, I have taught English, served as an acting principal, and done the odd bit of college counseling in Shenzhen schools. In short, the city and its residents have been good to me, helping me to craft an interesting and meaningful life.
Indeed, I feel at home in Shenzhen. I live in a late 1980s Shekou housing development, where child play and aunties and grandmas dance the yang ge’er. I know the bus and subway systems intimately. I have favorite restaurants and parks and walks. I appreciate the vast diversity of the city’s migrants and have learned to recognize (some of) the distinctions that matter to Shenzheners — accents, flavoring, and personality, for example. I navigate cross-border encounters, and have friends in Hong Kong and Guangzhou. In all practical senses, Shenzhen is home.
And yet.
Just a week of wandering a few liberal arts campuses and I am reminded of those stateside who also enabled me to live this life. Parents who believed that education was for life rather than strictly the first line on a resume; Chinese teachers who gave me the skills, understanding, and confidence to persist despite linguistic and cultural obstacles; anthropology professors and authors who not only helped me learn to think and consider what it means to be human, but also to value this very human impulse to reflect on our shared condition and its causes, possibilities, and challenges. All this to say that this trip I am realizing just how deeply my values and goals were shaped and nourished by the liberal arts tradition. Yes! the heart sings. This tradition is worth cherishing, and growing, and exporting.
Yet, again.
I also know what it takes for a Shenzhen family to be able to afford this education. I know the decisions and savings and evasions — moral, intellectual, and social — that make it possible to leap from Shenzhen to a liberal arts college campus. So this college visiting has been unremittingly bittersweet. I keep saying to my friend, “See, it is possible to create this kind of learning environment and raise outstanding human beings.” And she rightly reminds me, “Shenzhen people are still worried about securing their children’s economic future.” I pause because she is not wrong. Not only Shenzhen parents find $US 50,000 a year to be a daunting obstacle. American parents. Moroccan parents. Indian parents. Parents everywhere do because we are exporting liberal arts educations. And they cost. A lot. And even more when your family doesn’t earn petro-dollars, but instead earns real estate yuan.
Thought du jour: We need to find ways to realize these values in other, more accessible forms. I continue to believe that our liberal arts colleges and pedagogical values constitute an important contribution to humanity. I am haunted, however, by their obvious and subtle complicities with globalized inequalities. I live this contradiction everyday in Shenzhen, where the liberal arts — or another form of morally tolerant pedagogy and values — are needed, but where as an American, I often find myself so firmly placed on the “haves” side of the line that dialogue is difficult. Indeed, in the end, I end up listening more than speaking because I’m still searching for common ground. And this ground must take into account economic inequality and political aspirations if we are to move forward, together.
creative culture INDUSTRY
Visited the old Nanfang Glass Factory in Shekou. The factory is being renovated by 凤火, an advertising company that made its mark marketing real estate. It is now investing in cultural renovation and creativity in old Shekou. The other day we visited the site, which will open as (yes, another) art-culture space. Once again, my fondness for heroic high-modernism makes itself felt in impressions, below:
situating the northbound imaginary
A good friend re-discovered an old, 1996 article not only from the early daze of Shenzhen research, but also pre-digital scholarship; when I lost the paper, I actually couldn’t click it back into existence.
Anyway, for the curious, “O’Donnell. Situating the Northbound Imaginery. 1996.“, Hong Kong Cultural Studies, Volume 6, 1996:105-108 pp.
what to see when visiting shenzhen…
The other day I had an interesting conversation about Baishizhou with a friend visiting from neighboring Hong Kong. In a nutshell? She asked me what there was to see in Shenzhen that would be intrinsically interesting to someone who knew nothing about Shenzhen. She remarked that it was easy to figure out what to see in Shanghai and Beijing because they had a history. I mentioned that I have blogged on this very topic, including touristy suggestions.
I then said something less gracious to the effect of “If you can’t be bothered to learn about Shenzhen before visiting, maybe you’re not here to visit the city. Maybe you’ve come over to go shopping at the Luohu Mall or Book City.”
The problem, of course, is that ignorent global trotting passes for global chic living. We expect to arrive in an unknown place and to be able to read the lay of the land immediately, as if our homegrown geographies might be easily transported thither and yon. In a sense, the frustration we feel comes from a misplaced sense of entitlement: the world is my oyster. I know oysters. I should be able to open this oyster, grab the pearl and move on to the next delicacy. And while I’m at it, I should have the help of friendly English-speaking underpaid minions, who are not only not going to take advantage of my ignorance, but also show me where to find bigger and better and cheaper oysters because they. like. me.
Arrr.
Of course, tourists don’t want to visit an actual mall; they want something “authentic”. But as my friend pointed out, they don’t want to visit Baishizhou either because it is not self-evidently legible. Tourists — whether homegrown or from elsewhere — want something in-between the global standardized mall and actual working class neighborhoods, something edgey without being dangerously sharp. Something like a cheap Xintiandi (新天地).
And there’s the rub. The expectation that Shenzhen should be immediately legible to tourists and other strangers is itself a species of mall-think. Mall-think refers to the idea that the world has already been standardized into chain-stores that sell, among other things, samples of local history and culture. By extension, mall-think tourism refers to the idea of one-stop tourism (I visit Dongmen, the Civic Center, and Huanggang Village) which will produces a pre-conceived and therefore “intrinsically interesting” experience the Shenzhen difference.
Xintiandi, is of course, the most obvious and obviously successfully of mall-think development. The fact that they are expanding from Shanghai to Chongqing, Foshan, and Guangzhou should really be a wake-up call; Euro-American mall-think is transforming the Chinese landscape into accessible and therefore interesting shopping experiences. The view from Baishizhou reminds us, however, that mall-think tourism confuses global recognition with authenticity, and in doing so fails to see the intrinsic value of working class lives.